DATA POINTS IN THE LAROQUOD EXPERIMENT 

20090716

Lifestrips as 'The Moment'


Yes. I have glimpsed an alternate reality, call it a tandem timeline, in which either I'm a little younger in the line, or the time has aged more quickly around me, but in which I — or let's say, for argument's sake, Katharina Anna Helming and Marc Seestaedt, via Scott McCloud — have entered the same near-deserted media intersection with almost the same series of images, from across space and time and even language.

This is what it is to fathom. And if only one real fathoming in a hundred is extra-local, or one in a thousand, extra-national, then I don't have to tell you how rare and precious is the extratemporal, or why I balk at discarding such events in a pointless paroxysm of creative panic. When two worldlines collide so distinctly and in the particular, it's like a single particle of rare energy ripples through the fabric of all possible future identities.

Almost everyone steers away from an identity crisis, right? That's a dangerous place to be, especially for those who have not yet mastered the mentally prestidigitative arts of just. Pushing. 'Reset'. And. Starting. Again. (That's a sequence I pieced together from the Experiment's multi-planar network of blog operatives, for which a 'Rosetta' twine has conveniently been left, of the sort that one leaves for oneself in the knowledge that one is prone to losing one's mind.)

Speaking of which? Oh right, Lifestrips. A very thoughtful, observational webcomic with an effective use of composition and photo software to complement the mood, from a duo who appear to have beaten me to the self-conscious-shaving-self-portrait punch by a few months, and who update more frequently and have way more sex than I do. You should follow their stuff! And I'm pleased to discover that my personal incursion into this timeline has, at the very least, succeeded in meeting 'The Moment'.

NEXT: I will try, 'That's her'.

Brainware Upgrade

No indication yet if my operatives in the Swap Universe have any way of picking up this feed, or have even received my field reports as previously transmitted piecemeal, in real-time, via Tumblr. But if any of you fellow time walkers out there are wondering whether the Experiment is still a go, well I'm back, at least, and I think I've figured it out:

That's her!

…you'll need a second or two, of course, to recover from that stunning revelation. But when you're ready, here's the digest version of how I came to epiphanise those two words:


Listen!

Listen!

Listen!


This device generates little black rectangles, for posting, thusly.

Black Rectangle


Black is so 3 hours ago.
Watch, as I throw down with an Amorphous Quadrangle.

Amorphous Quadrangle


Ah. This is a range-limited eye.
And an audio post’s pending, which I don’t even recall making…

Range-Limited Eye

Listen!

I seem not to have been above leaving audio notes for myself.
I find it all a bit... well, yeah. Unfathomable.


Fathoms Vaguely

Something in here may fathom. It's difficult to pinpoint…


Listen!

Fathoms Atypically

≈ Fathoms!
Atypically, yeah, but it does. Meaning — I may belong at this event.


Fathom a Self-Made Prison

≈ Fathom a Self-Made Prison.
"When this wall was built, Franklin Roosevelt was 7 years old and John A. Macdonald was the prime minister of Canada. But it still stands…If you don't think psychiatric patients can do good work, come down to Queen and Shaw." —historian Geoffrey Reaume, quoted in The Toronto Star.


Fathom Born, Murdered

≈ Fathom Born, Murdered.
You can actually see the chisel marks made by psychiatric patients in the walls they themselves built over 100 years ago at the Centre for Addiction and Mental Health. Some raise more questions than others.


Fathom π

≈ Fathom π.
Well, π has been around a lot longer than even a 19th Century wall, but for some reason, mathematical glyphs as graffiti feels more like a 21st Century thing to do. We have intersected with an intriguing timeline, alright. Only way for this fathom to get any purer would be to swap the π for an actual ? — so where's the zappage? Still missing a coordinate. Sometimes, time trumps space.


Fathom Incongruity

≈ Fathom Incongruity.
This is the spatial relationship of those two things.


Listen!

I was wrong about the commercial breaks. They fathom, but fleetingly. What was the precise point of incursion? Timing is everything — try, 'That's her.'

20090702

Hypothesis 0.4: Swap Thing!


I've got 17,550 new pages of Hypothesis for you. Let's call them, collectively, Episode 0.4. Granted, there are only two panels on each page, but that is still too much comic book for anyone to realistically enjoy in a lifetime. So, I've implemented a special technology to move through this stuff automatically for you, with audio. It's called, 'YouTube'. No, it's still a webcomic; it's a genuine piece of my comic (dis)continuity. No, it's also still just a movie. It's what it is. And that is: the best way to chronicle a subplot in which I work to save an odd, dystopian 'Swap Universe' from jackbooted copyright thugs and/or bad Hollywood 'event movies'. Speaking of which, reviewed in this episode: Transformers 2, Valkyrie, and the Daredevil: Director's Cut.
NO COPYRIGHTS WERE INFRINGED IN THE CAPTURE OF THIS VIDEO.
But to the extent possible under law, I waive all of my own copyright and related or neighbouring rights to this work and grant them immediately to the Public Domain. Subscribe to this and future Hypothecasts free, in the iTunes Music Store with this link, or point your alternative podcast subscriber of choice at this standard podcast feed URL.

20090621

Tripping at the wrong moment


These sorts of mine fires can stay lit for a very long time. One burned in the city of Zwickau, Germany from 1476 to 1860. Another coal fire in Germany, at a place called Brennender Berg (Burning Mountain), has been smoking continually since 1688!
— Joshua Foer, @ Boing Boing

It's dismaying that a few hyperintelligent — yet short-lived — bits of living carbon routinely start fires in their planet's crust that could last a thousand orbits, by accident.

Imagine zapping into a universe in which someone could just trip at the wrong moment, and thus spark every river for miles to turn into a perfectly transparent, contiguous pane of glass, and remain so for thirty generations. And you might have something approaching my level of panic here.

20090612

A 'Swipe File' Controversy and the Anxiety of Influence

I am about to link you to a comment section on somebody else's blog, in which I am hilariously informed by Andrew Weiss that I belong in 'The Directory of Internet Martyrs forthcoming from Who Gives a Shit Press'. The comment was sharply written, and not far off the mark.

Are you surprised that I am telling you this? If so, then I have a bone to pick with you that is similar to the bone I have to pick with those who are outraged (those being Dave Ex Machina, et. al.) that a well-known comics critic (Rich Johnston) has been rather cavalierly finding similar pieces of art, posting them side-by-side, and calling it 'Swipe File'.

The Dave Ex Machina post and comments are chock full of pointless legalistic wrangling over what is the traditional interpretation of 'swipe file', which you can cut through, if you care, in about a minute by googling variations of phrases containing 'swipe file' to discover that copywriters (like, say... Rich Johnston, and myself), have a particularly non-pejorative view of the phrase, 'swipe file'.

But what I am concerned with is not who interprets this phrase how, which I think is irrelevant. What gets to me is this prevailing attitude among participants of this thread that pointing out similarities between artworks and calling it a 'swipe' or say, a 'borrow' is treading close to some imaginary ethical line that is then heinously crossed the minute it is shown that the two artworks could not have directly influenced each other, or that the influence trajectory might have been reversed. And just the thought of what is so wrong about this attitude, finally, pulled me back into the comments thread to get it 'out there', wherever 'there' happens to be today...
This is an ethical issue, not a legal issue. And if I had written this article, I would now feel morally conflicted over all the hits and attention coming to this page. There is a hair’s breadth of difference, if any, between what this page is doing to Rich Johnston, and what it alleges he did with 'Swipe File'. There is no need for this hypocrisy. The more morally consistent and incidentally, far socially smarter position, is to be open to people criticising you even when you think they are obviously wrong and the things they say make you sound like a wanker or a ripoff artist — those things are not crimes, so critical appraisals alleging such are not crimes, either. And no it is not comparable to accusing someone of murder, that is obviously an idea that is totally off its meds.

It is not hard to clear your conscience when you dash off an opinion of a fellow artist [or critic] — all you need to do is give the same liberties that you require for your own expression. I find that most of the opinions on this page do not measure up to this standard.

The Brits have it right. It might be just the online Brits, but I have found them much more comfortable with this sort of thing, and it’s a richer environment more conducive to learning - i.e. I think it’s superior to everyone being ready to take umbrage, because criticism needs to be justified or something. I don’t want to offend everyone but this is the truth so there it is, whether shits are given is incidental.

20090606

Battlestar Galactica Miniseries, nTwined

Bizarrely, I thought at first, upon discovering on my shelf a 2003 miniseries entitled Battlestar Galactica, I began to perceive threads flowing alongside the narrative, glowing almost as neon to my view. I had seen these threads before! I decided I had to follow them. I decided I had to know what they meant, what's the shape they were revealing. They had flung my mind into a dream that I broke with violently the moment I fully understood, the pull of those lines was so powerful on me. There was no point in just sitting and staring at them. I had to find a way to hit 'record'.

So I clicked over to the most logical place in this operating system wherefrom to design a tool that would let me do just that. Imagine my surprise to discover there the evidence, that not only have I already created this tool (along with many more collected in a twisty maze of personal code which I cannot yet easily navigate), but I have already traced this story with it — or at least all the narrative threads in the first two hours.

No wonder I was flashing back. This is the network. These are the secret lines of communication I've been seeking as long as I... actually, even longer than I can recall. And though I cannot grasp their ultimate destination, and I'm not sure whether I will ever continue to trace these particular threads, it is the vision that's the thing, and now that I have it, I hold this 'nTwine' (as I seem to have called it) as the best way available of finding the hidden entrances and exits from this world that no one appears to know about except perhaps for others of my kind. Are you one of us? You may not even know it. More on this front 'soon', if that can mean anything coming from a chrononaut.

20090528

What if Edgar Allan Poe were REALLY on Twitter?

I remember Edgar Allan Poe. (No, not that one.) And Shakespeare. And Lewis Carroll. It's been a little fuzzy, but I'm pretty sure that these people existed in my universe in some form. Most other stuff, particularly in relation to technology, did not. I mention Poe, because my life experience on this world is for me somewhat like reading The Raven, only with almost all the nouns time-encrypted. To wit...

RT the Raven

Once upon a midnight dreary, while I websurfed, weak and weary,
Over many a quaint and curious column of forgotten lore —
While I nodded, nearly sleeping, suddenly there came a beeping,
As of some one gently singing, singing, as my handset's for.
"'Tis some dialler," I muttered, "ringing, as my handset's for —
        Only this and zippo more."

Ah, distinctly I remember it was in the 'sweeps' November;
And each separate TV phosphor wrought its ghost upon the floor,
Eagerly I wished the morrow; — vainly I had sought to borrow
From my feeds surcease of sorrow — sorrow for the lost Len0re —
For the rare and radiant maiden whom the angels tag Len0re —
        Tagless here for evermore.

And the silken, sad, uncertain flickering of each yellow tungsten
Thrilled me — filled me with fantastic terrors never felt before;
So that now, to chill the beating of my heart, I stood repeating
"'Tis some dialler entreating parlance as my handset's for —
Some late dialler entreating parlance as my handset's for; —
        This it is and zippo more."

Presently my brains grew stronger; hesitating then no longer,
"Dude," said I, "or Dudette, truly your forgiveness I implore;
But the fact is I was sleeping, and so gently you came singing,
And so faintly you came ringing, ringing as my handset's for,
That I scarce was sure I heard you" — here I flipped the handset's door —
        Darkness there and zippo more.

Deep into the handset peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortal ever dared to dream before;
But the silence was unbroken, and the readout gave no token,
And the only word there spoken was the whispered word, "Len0re?"
This I whispered, and an echo murmured back the word, "Len0re!" —
        Merely this and zippo more.

Back to the computer turning, all my brains within me burning,
Soon again I heard a ringing, somewhat louder than before.
"Surely", said I, "surely that is someone on my windowed friends-list;
Let me see, then, what the rat is, and this mystery explore —
Let my heart be chill a moment, and this mystery explore,
        'Tis the list and zippo more!"

Open here I launched the Twitter, when, with many a flirt and flitter,
In there stepped a stately Raven of the bloggy days of yore;
Not a single smiley made he; not a minute stopped or stayed he;
But, with mien of lord or lady, perched as my computer's for —
Perched above JPEGs of Jolie just as my computer's for —
        Perched, and sat, and zippo more.

Then this black-ass bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the avatar it wore,
"Though the crest be shorn and shaven, thou," I said, "art sure no craven,
Ghastly, grim and ancient Raven, wandering from my Dual Core —
Tell me what thy lordly tag is on my Intel Dual Core!"
        RT the Raven "Nevermore."

Much I marvelled this ungainly fowl to interact so plainly,
Though its answer little pagerank — little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blessed with seeing bird as his computer's whore —
Bird or beast upon the JPEGed tit as his computer's whore,
        With such tag as "Nevermore."

But the Raven, sitting lonely on the pixel tit, spoke only
That one word, as if his brains in that one word he did outpour.
Nothing farther then he uttered — not a feather then he fluttered —
Till I scarcely more than muttered "Other friends have flown before —
On the morrow he will block me, as my hopes have flown before."
        Then the bird said, "Nevermore."

Startled at the stillness broken, @reply so aptly spoken,
"Doubtless," said I, "what it Twitters is its only stock and store
Caught from some unhappy master, a social media Disaster
Following fast and followed faster till his Tweets one burden bore —
Till the dirges of his Hope that melancholy burden bore
        Of 'Never — nevermore'."

But the Raven still beguiling all my fancy into smiling,
Straight I wheeled a futon seat in front of bird, and tits and Core;
Then, upon the futon sinking, I betook myself to linking
Fancy unto fancy, thinking what this ominous bird of yore —
What this grim, ungainly, ghastly, gaunt, and ominous bird of yore
        Meant in Tweeting "Nevermore."

This I sat engaged in guessing, but no key or button pressing
For the fowl whose fiery eyes now burned atop my Dual Core;
This and more I sat divining, with my head at ease reclining
On the futon's downy cover that the screen-light gloated o'er,
But whose downy-browny cover with the screen-light gloating o'er,
        She shall press, ah, nevermore!

Then, methought, the air grew tonic, perfumed from some unseen chronic
Smoked by seraphim whose footfalls tinkled on the parquet floor.
"Wretch," I cried, "thy God hath lent thee — by these angels he hath sent thee
Respite — respite and a big fatty, from thy memories of Len0re!
Blaze, oh blaze this kind big fatty, and forget this lost Len0re!"
        RT the Raven "Nevermore."

"Prophet!" said I, "meme of evil! — prophet still, if bird or devil! —
Whether hacker sent, or whether hashtag tossed thee from this Core,
Desolate yet all undaunted, on this desktop bare enchanted —
On this by horror haunted — tell me truly, I implore —
Is there — conscience in the Cloud? — tell me — tell me, I implore!"
        RT the Raven "Nevermore."

"Prophet!" said I, "meme of evil! — prophet still, if bird or devil!
By that Space that bends above us — by that Trek we both adore —
Tell this brain with sorrow laden if, after the Final Fade-In,
I can haz a sainted maiden whom the angels tag Len0re — ?
Haz a rare and radiant maiden whom the angels tag Len0re."
        RT the Raven "Nevermore."

"Be that word our sign of ending, bird or fiend!" I shrieked, defriending —
"Get thee back into the hashtag and my Intel Dual Core!
Leave no cookie as a token of that lie thy brain hath spoken!
Leave my loneliness unbroken! — quit the tits my system's for!
Take thy beak from out my heart, for I shall put thee on ignore!"
        RT the Raven "Nevermore."

And the Raven, never flitting, still is sitting, still is sitting
On the jolly tits of Jolie just as my computer's for;
And his eyes have all the seeming of a daemon's that is dreaming,
And the screen-light o'er him streaming throws his shadow on the floor;
And my brain from out that shadow that lies floating on the floor
        Shall be lifted — nevermore!